If you decide to visit Rome, why miss the opportunity to learn, as well as touristic places, the habits and places of the locals. Staying in this apartment just renovated, clean, safe and quiet, you'll have the opportunity to be 10-minutes...
If you decide to visit Rome, why miss the opportunity to learn, as well as touristic places, the habits and places of the locals. Staying in this apartment just renovated, clean, safe and quiet, you'll have the opportunity to be 10-minutes away from Coloseum, historical center and main touristic attractions of the city by subway and perceive the daily life of people living in that nice district as well. You will meet there, noted in a map I'll give you, several convenient shops, charateristic places or fun places none traveller will know!
The apartment lies meters outside the historical center, in a place considered center nowadays. The best location in Rome thinking on public transportation too, being only 500 meters from the train station connecting to Rome Fiumicino airport and only 5 blocks away from the subway station. 24 hours free wifi and very fast internet will be available.
There is also a balcony if like to smoke or sit looking outside coming back from your visits.
Private car pick up transfer from/to Airports or railway station available for special price for our guests.
Any problem or information always will have a prompty reply and help from us! Please read my references!!
Below you will find a list of very interesting cultural places to know JUST WALKING from the apartment (no transportation needs):
The Caffarella Park
The Caffarella Park (Italian: Parco della Caffarella) is a large park in Rome, protected from development. It is part of the Parco Regionale Appia Antica (Appian Way Regional Park). The park is contained in the Caffarella Valley and is bordered on its northern side by the Via Latina and on its southern by the Appian Way. It extends lengthways from the Aurelian Wall up to the Via dell'Almone. It contains several items of archaeological interest, as well as a working farm, and has considerable ecological value, with 78 species of birds and fauna.
In Roman times much of the area was occupied by a large estate known as the Triopius. Herodes Atticus was a Greek who became a Roman senator. Through his marriage to Annia Regilla he acquired the land of the estate that stretched from the Caffarella Park to the Appian Way. Two ruins in the park date from that time, the tomb of Annia Regilla and the Nympheum of Egeria. Several towers in the park are medieval and served mainly as watch towers.
The name of the park comes from the Caffarelli family, which operated a farm in the area in the 16th Century. It was subsequently owned by the Pallavicini family and the Torlonias. In the mid-20th Century the area was in major danger of being used for urban expansion but was protected and then incorporated into the Appian Way park, following popular campaigns for its preservation.
Chiesa del Domine Quo Vadis
Chiesa del Domine Quo Vadis, is a small church southeast of Rome, central Italy. It is located about some 800 m from Porta San Sebastiano, where the Via Ardeatina branches off the Appian Way, on the site where, according to the legend, Saint Peter met Jesus while the former was fleeing persecution in Rome. According to the apocryphal Acts of Peter, Peter asked Jesus, "Lord, where are you going?" (Latin: Domine, quo vadis?). Jesus answered, "I am going to Rome to be crucified again" (Latin: Eo Romam iterum crucifigi.
There has been a sanctuary on the spot since the ninth century, but the current church is from 1637. The current façade was added in the 17th century.
It has been supposed that the sanctuary might have been even more ancient, perhaps a Christian adaption of some already existing temple: the church is in fact located just in front of the sacred campus dedicated to Rediculus, the Roman "God of the Return". This campus hosted a sanctuary for the cult of the deity that received devotion by travellers before their departure, especially by those who were going to face long and dangerous journeys to far places like Egypt, Greece or the East. Those travellers who returned also stopped to thank the god for the happy outcome of their journey.
The presence of the Apostle Peter in this area, where he is supposed to have lived, appears to be confirmed in an epigraph in the Catacombs of Saint Sebastian that reads Domus Petri (English: House of Peter). An epigram by Pope Damasus I (366–384) in honor of Peter and Paul reads: "You that are looking for the names of Peter and Paul, you must know that the saints have lived here."
The two footprints on a marble slab at the center of the church — nowadays a copy of the original, which is kept in the nearby Basilica of San Sebastiano fuori le mura — are popularly held to be a miraculous sign left by Jesus. It is to these footprints that the official name of the church alludes: palmis refers to the soles of Jesus' feet. It is likely that these footprints are actually the draft of an ancient Roman "ex voto", a tribute paid to the gods for the good outcome of a journe.
There was an inscription above the front door on the church's façade which used to say: "Stop your walking, traveller, and enter this sacred temple in which you will find the footprint of our Lord Jesus Christ when He met with St. Peter who escaped from the prison. An alms for the wax and the oil is recommended in order to free some spirits from Purgatory." Pope Gregory XVI found the advertising tone of this inscription so inappropriate that he ordered its removal in 1845
The Appian Way
The Appian Way (Latin and Italian: Via Appia) was one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, Apulia, in southeast Italy. Its importance is indicated by its common name, recorded by Statius:
Appia teritur regina longarum viarum
"the Appian way is the queen of the long roads"
The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC during the Samnite Wars.
The main part of the Appian Way was started and finished in 312 BC.
The road began as a leveled dirt road upon which small stones and mortar were laid. Gravel was laid upon this, which was finally topped with tight fitting, interlocking stones to provide a flat surface. Some of the stones were said to fit so well that you could not slide a knife into the cracks.The road was crested in the middle (for water runoff) and had ditches on either side of the road which were protected by retaining walls.
The road began in the Forum Romanum, passed through the Servian Wall at the porta Capena, went through a cutting in the clivus Martis, and left the city. For this stretch of the road, the builders used the via Latina. The building of the Aurelian Wall centuries later required the placing of another gate, the Porta Appia. Outside of Rome the new via Appia went through well-to-do suburbs along the via Norba, the ancient track to the Alban hills, where Norba was situated. The road at the time was a via glarea, a gravel road. The Romans built a high-quality road, with layers of cemented stone over a layer of small stones, crowned, drainage ditches on either side, low retaining walls on sunken portions, and dirt pathways for sidewalks. The via Appia is believed to have been the first Roman road to feature the use of lime cement. The materials were volcanic rock. The surface was said to have been so smooth that you could not distinguish the joints. The Roman section still exists and is lined with monuments of all periods, although the cement has eroded out of the joints, leaving a very rough surface
Catacombs of San Callisto
Sited along the Appian way, these catacombs were built after AD 150, with some private Christian hypogea and a funeral area directly dependent on the Catholic Church. It takes its name from the deacon Saint Callixtus, proposed by Pope Zephyrinus in the administration of the same cemetery - on his accession as pope, he enlarged the complex, that quite soon became the official one for the Roman Church. The arcades, where more than fifty martyrs and sixteen pontiffs are buried, form part of a complex graveyard that occupies fifteen hectares and is almost twenty km long.
This catacomb's most ancient parts are the crypt of Lucina, the region of the Popes and the region of Saint Cecilia, where some of the most sacred memories of the place are preserved (including the crypt of the Popes, the crypt of Saint Cecilia, and the crypt of the Sacraments); the other regions are named the region of Saint Gaius and the region of Saint Eusebius (end of the 3rd century), West region (built in the first half of the 4th century) and the Liberian region (second half of the 4th century), all showing grandiose underground architecture. A modern staircase, on the site of an ancient one, was built by Pope Damasus I, giving access to the region of the Popes, in which is to be found the crypt of the popes, where nine pontiffs and, perhaps, eight representatives of the ecclesiastical hierarchy had been buried - along its walls are the original Greek inscriptions for the pontiffs Pontian, Anterus, Fabian, Lucius I and Eutychian. In the far wall Pope Sixtus II was also buried, after he was killed during the persecution of Valerian; in front of his tomb Pope Damasus had carved an inscription in poetic metre in characters thought up by the calligrapher Furius Dionisius Filocalus.
In the adjoining crypt is the grave of Saint Cecilia, whose relics were removed by Pope Paschal I in 821: the early 9th century frescoes on the walls represent Saint Cecilia praying, the bust of the Redeemer and Pope Urban I. A short distance away, an arcade dating to the end of the 2nd century gives access to the cubicula of the sacraments, with their frescoes from the first half of the 3rd century hinting at baptism, the Eucharist and the resurrection of the flesh; in the region of Saint Militiades next door, a child's sarcophagus has a front sculpted with biblical episodes. In the region of Saints Gaius and Eusebius are some crypts set apart, opposite each other, with the tombs of Pope Gaius (with an inscription) and Pope Eusebius, who died in Sicily where he had been exiled by Maxentius and whose body was translated to Rome during the pontificate of Militiades; on a marble copy of the end of the 4th century (of which fragments may be seen on the opposite wall) may be read of an inscription by Damasus on the schism provoked by Heraclius over the matter of the lapsi.
Joining onto the arcade itself are, in succession, the crypt of the martyrs Calogerus and Parthenius and the double cubiculum of Severus, which contains a rhythmic inscription (dated to no later than 304) in which a bishop of Rome (at that time Marcellinus is first called pope and first openly professes belief in the final resurrection. In a region further from there is the burial of Pope Cornelius, whose tomb still has its original inscription giving him the title of martyr and, on its sides, splendid paintings with figures in 7th and 8th century Byzantine style representing popes Sixtus II and Cornelius and the African bishops Cyprian and Ottatus. In a nearby cubiculum are some of the most ancient burials, after AD 175, with Roman frescoes of (on the ceiling) the Good Shepherd and orantes and (on the far wall) two fish with a basket of loaves behind it, a symbol of the Eucharist.
Caecilia Metella Monumental Tomb
Located at the top of a hill on the Appian Way, the tomb dominates the surrounding landscape. Atop a quadrangular base seven meters high, it consists of a cylindrical body 11 meters in height, with a diameter of 29 meters; this is surmounted by fortifications added during the medieval period. The simple inscription facing the Appian Way reads: CAECILIAE / Q. CRETICI F. / METELLAE CRASSI, or "To Caecilia Metella, daughter of Quintus Creticus, [and wife] of Crassus".
Caecilia Metella (b. c. 100 BC, fl. 69 BC) was a daughter of Quintus Caecilius Metellus Creticus, who was Consul in 69 BC. She was apparently married to Marcus Licinius Crassus Junior or the Younger, a legate to Julius Caesar, the son and heir of the Triumvir Marcus Licinius Crassus and his wife Axia Tertulla.
Their son was Marcus Licinius Crassus (consul 30 BC), who was denied the spolia opima by Augustus as part of a deliberate policy to stress the importance of the Emperor and reduce that of individual generals. This Caecilia Metella appears to have been rather different from the other more famous Caeciliae Metellae, in that she lived and died in obscurity apart from her famous son and the magnificent tomb which her husband erected in her memory.
The Aurelian Walls (Italian: Mura aureliane) are a line of city walls built between 271 AD and 275 AD in Rome, Italy, during the reign of the Roman Emperors Aurelian and Probus.
The walls enclosed all the seven hills of Rome plus the Campus Martius and, on the right bank of the Tiber, the Trastevere district. The river banks within the city limits appear to have been left unfortified, although they were fortified along the Campus Martius.
The full circuit ran for 19 kilometres (12 mi) surrounding an area of 13.7 square kilometres (5.3 sq mi). The walls were constructed in brick-faced concrete, 3.5 metres (11 ft) thick and 8 metres (26 ft) high, with a square tower every 100 Roman feet (29.6 metres (97 ft)).
In the 5th century, remodelling doubled the height of the walls to 16 metres (52 ft). By 500 AD, the circuit possessed 383 towers, 7,020 crenellations, 18 main gates, 5 postern gates, 116 latrines, and 2,066 large external windows
By the third century AD, the boundaries of Rome had grown far beyond the area enclosed by the old Servian Wall, built during the Republican period in the late 4th century BC. Rome had remained unfortified during the subsequent centuries of expansion and consolidation. The need for better defences became acute during the crisis of the Third Century, when barbarian tribes flooded through the Germanic frontier and the Roman Army struggled to stop them. In 270, the barbarian Juthungi and Vandals invaded northern Italy, inflicting a severe defeat on the Romans at Placentia (modern Piacenza) before eventually being driven back. Further trouble broke out in Rome itself in the summer of 271, when the mint workers rose in rebellion. Several thousand people died in the fierce fighting that resulted.
Aurelian's construction of the walls as an emergency measure was a reaction to the barbarian invasion of 270; the historian Aurelius Victor states explicitly that the project aimed to alleviate the city's vulnerability. It may also have been intended to send a political signal as a statement that Aurelian trusted that the people of Rome would remain loyal, as well as serving as a public declaration of the emperor's firm hold on power. The construction of the walls was by far the largest building project that had taken place in Rome for many decades, and their construction was a concrete statement of the continued strength of Rome.
The walls were built in the short time of only five years, though Aurelian himself died before the completion of the project. Progress was accelerated, and money saved, by incorporating existing buildings into the structure. These included the Amphitheatrum Castrense, the Castra Praetoria, the Pyramid of Cestius, and even a section of the Aqua Claudia aqueduct near the Porta Maggiore. As much as a sixth of the walls is estimated to have been composed of pre-existing (website hidden) area behind the walls was cleared and sentry passages were built to enable it to be reinforced quickly in an emergency.
The actual effectiveness of the wall is disputable, given the relatively small size of the city's garrison. The entire combined strength of the Praetorian Guard, cohortes urbanae, and vigiles of Rome was only about 25,000 men – far too few to defend the circuit adequately. However, the military intention of the wall was not to withstand prolonged siege warfare; it was not common for the barbarian armies to besiege cities, as they were insufficiently equipped and provisioned for such a task. Instead, they carried out hit-and-run raids against ill-defended targets. The wall was a deterrent against such tactics.
Parts of the wall were doubled in height by Maxentius, who also improved the watch-towers. In 401, under Honorius, the walls and the gates were improved. At this time, the Tomb of Hadrian across the Tiber was incorporated as a fortress in the city defenses. Totila, king of the Ostrogoths, decided to destroy the walls in 545, to remove from the Byzantines the possibility of defending Rome in the ongoing Gothic War. According to Procopius, one-third of the walls were razed.
The Baths of Caracalla
The Baths of Caracalla (Italian: Terme di Caracalla) in Rome, Italy tere Roman public baths, or thermae, built in Rome between AD 212 and 216, during the reign of the Emperor Caracalla. Chris Scarre provides a slightly longer construction period 211-217 AD.
They would have had to install over 2,000 tons of material every day for 6 years in order to complete it in this time period. Records show that the idea for the baths were drawn up by Septimius Severus, and merely completed or opened in the lifetime of Caracalla.This would allow for a longer construction timeframe.
The baths remained in use until the 6th century when the complex was taken by the Ostrogoths during the Gothic War, at which time the hydraulic installations were destroyed. The bath was free and open to the public. The building was heated by a hypocaust, a system of burning coal and wood underneath the ground to heat water provided by a dedicated aqueduct. It was in use up to the 19th century.
In the 19th and early 20th century, the design of the baths was used as the inspiration for several modern structures, including St George's Hall, Liverpool and Pennsylvania Station in New York City. At the 1960 Summer Olympics, the venue hosted the gymnastics events.
The baths were the only archaeological site in Rome damaged by an earthquake near L'Aquila in 2009.Baths were a site for important sculpture; among the well-known pieces recovered from the Baths of Caracalla are the Farnese Bull and Farnese Hercules and over life-size early 3rd century patriotic figures somewhat reminiscent of Soviet Social Realist works (now in the Museo di Capodimonte, Naples). One of many statues is the colossal 4 m statue of Asclepius.
Pyramid of Cestius
The Pyramid of Cestius (in Italian, Piramide di Caio Cestio or Piramide Cestia) is an ancient pyramid in Rome, Italy, near the Porta San Paolo and the Protestant Cemetery. It stands at a fork between two ancient roads, the Via Ostiensis and another road that ran west to the Tiber along the approximate line of the modern Via della Marmorata. Due to its incorporation into the city's fortifications, it is today one of the best-preserved ancient buildings in Rome.
The pyramid was built about 18 BC–12 BC as a tomb for Gaius Cestius, a magistrate and member of one of the four great religious corporations in Rome, the Septemviri Epulonum. It is of brick-faced concrete covered with slabs of white marble standing on a travertine foundation, measuring 100 Roman feet (29.6 m) square at the base and standing 125 Roman feet (37 m) high.
In the interior is the burial chamber, a simple barrel-vaulted rectangular cavity measuring 5.95 metres long, 4.10 m wide and 4.80 m high. When it was (re)discovered in 1660, the chamber was found to be decorated with frescoes, which were recorded by Pietro Santi Bartoli, but only the scantest traces of these now remain. There was no trace left of any other contents in the tomb, which had been plundered in antiquity. The tomb had been sealed when it was built, with no exterior entrance; it is not possible for visitors to access the interior, except by special permission typically only granted to scholars.
The sharply pointed shape of the pyramid is strongly reminiscent of the pyramids of Nubia, in particular of the kingdom of Meroë, which had been attacked by Rome in 23 BC. The similarity suggests that Cestius had possibly served in that campaign and perhaps intended the pyramid to serve as a commemoration. His pyramid was not the only one in Rome; a larger one—the so-called "pyramid of Romulus"—of similar form but unknown origins stood between the Vatican and the Mausoleum of Hadrian but was demolished in the 16th century.
Some writers have questioned whether the Roman pyramids were modelled on the much less steeply pointed Egyptian pyramids exemplified by the famous pyramids of Giza. However, the relatively shallow Giza-type pyramids were not exclusively used by the Egyptians; steeper pyramids of the Nubian type were favoured by the Ptolemaic dynasty of Egypt that had been brought to an end in the Roman conquest of 30 BC. The pyramid was, in any case, built during a period when Rome was going through a fad for all things Egyptian. The Circus Maximus was adorned by Augustus with an Egyptian obelisk, and pyramids were built elsewhere in the Roman Empire around this time; the Falicon pyramid near Nice in France was suspected by some to have been constructed by Roman legionaries who followed an Egyptian cult, but more recent research has indicated that it was actually built between 1803 and 1812.
During the construction of the Aurelian Walls between 271 and 275, the pyramid was incorporated into the walls to form a triangular bastion. It was one of many structures in the city to be reused to form part of the new walls, probably to reduce the cost and enable the structure to be built more quickly. It still forms part of a well-preserved stretch of the walls, a short distance from the Porta San Paolo.
The origins of the pyramid were forgotten during the Middle Ages. The inhabitants of Rome came to believe that it was the tomb of Remus (Meta Remi) and that its counterpart near the Vatican was the tomb of Romulus, a belief recorded by Petrarch. Its true provenance was clarified by Pope Alexander VII's excavations in the 1660s, which cleared the vegetation that had overgrown the pyramid, uncovered the inscriptions on its faces, tunnelled into the tomb's burial chamber and found the bases of two bronze statues that had stood alongside the pyramid.
The pyramid was an essential sight for many who undertook the Grand Tour in the 18th and 19th centuries. It was much admired by architects, becoming the primary model for pyramids built in the West during this period. Percy Bysshe Shelley described it as "one keen pyramid with wedge sublime" in Adonaïs, his 1821 elegy for John Keats. In turn the English novelist and poet Thomas Hardy saw the pyramid during a visit to the nearby Protestant Cemetery in 1887 and was inspired to write a poem, Rome: At the Pyramid of Cestius near the Graves of Shelley and Keats, in which he wondered: "Who, then was Cestius, / and what is he to me?"
In 2001, the pyramid's entrance and interior underwent restoration. In 2011, further work was announced to clean and restore the pyramid's badly damaged external walls, through which water seepage has endangered the frescoes within. The €1-million project will be sponsored by Japanese businessman Yuzu Yakhi and supervised by Italy's Ministry of Cultural Heritage.
Monte Testaccio (alternatively spelled Monte Testaceo; also known as Monte dei cocci) is an artificial mound in Rome composed almost entirely of testae (Italian: cocci), fragments of broken amphorae dating from the time of the Roman Empire, some of which were labelled with tituli picti. It is one of the largest spoil heaps found anywhere in the ancient world, covering an area of 20,000 square metres (220,000 sq ft) at its base and with a volume of approximately 580,000 cubic metres (760,000 cu yd). It has a circumference of nearly a kilometre (0.6 mi) and stands 35 metres (115 ft) high, though it was probably considerably higher in ancient times. It stands a short distance away from the east bank of the River Tiber, near the Horrea Galbae where the state-controlled reserve of olive oil was stored in the late 2nd century AD. The mound later had both religious and military significance.
The huge numbers of broken amphorae at Monte Testaccio provides a vivid indication of the colossal amount of oil for food, as well as oil for lighting in lamps, that was required to sustain imperial Rome, which was at the time the world's largest city with a population of at least one million people. It has been estimated that the hill contains the remains of as many as 53 million olive oil amphorae, in which some 6 billion litres (1.3 billion imperial gallons/1.6 billion (website hidden)lons) of oil were imported. Studies of the hill's composition suggest that Rome's imports of olive oil reached a peak towards the end of the 2nd century AD, when as many as 130,000 amphorae were being deposited on the site each year. The vast majority of those vessels had a capacity of some 70 litres (15 imp gal; 18 (website hidden)); from this it has been estimated that Rome was importing at least 7.5 million liters (1.6 million imperial gal/2 million (website hidden)) of olive oil annually. As the vessels found at Monte Testaccio appear to represent mainly state-sponsored olive oil imports, it is very likely that considerable additional quantities of olive oil were imported privately.
Monte Testaccio was not simply a haphazard waste dump; it was a highly organised and carefully engineered creation, presumably managed by a state administrative authority. Excavations carried out in 1991 showed that the mound had been raised as a series of level terraces with retaining walls made of nearly intact amphorae filled with shards to anchor them in place. Empty amphorae were probably carried up the mound intact on the backs of donkeys or mules and then broken up on the spot, with the sherds laid out in a stable pattern. Lime appears to have been sprinkled over the broken pots to neutralise the smell of rancid oil.
As the oldest parts of Monte Testaccio are at the bottom of the mound, it is difficult to say with any certainty when it was first created. Deposits found by excavators have been dated to a period between approximately AD 140 to 250, but it is possible that dumping could have begun on the site as early as the 1st century BC. The mound has a roughly triangular shape comprising two distinct platforms, the eastern side being the oldest. At least four distinct series of terraces were built in a stepped arrangement. Layers of small sherds were laid down in some places, possibly to serve as paths for those carrying out the waste disposal operations.
The hill was constructed using mostly the fragments of large globular 70-litre (15 imp gal; 18 U.S. gal) vessels from Baetica (the Guadalquivir region of modern Spain), of a type known as Dressel 20. It also included smaller numbers of two types of amphorae from Tripolitania (Libya) and Byzacena (Tunisia). All three types of vessel were used to transport olive oil. However, it is not clear why Monte Testaccio was built using only olive oil vessels. The oil itself was probably decanted into bulk containers when the amphorae were unloaded at the port, in much the same way as other staples such as grain. There is no equivalent mound of broken grain or wine amphorae and the overwhelming majority of the amphorae found at Monte Testaccio are of one single type, which raises the question of why the Romans found it necessary to dispose of the amphorae in this way.
One possibility is that the Dressel 20 amphora, the principal type found at Monte Testaccio, may have been unusually difficult to recycle. Many types of amphora could be re-used to carry the same type of product or modified to serve a different purpose—for instance, as drain pipes or flower pots. Fragmentary amphorae could be pounded into chips to use in opus signinum, a type of concrete widely used as a building material, or could simply be used as landfill. The Dressel 20 amphora, however, broke into large curved fragments that could not readily be reduced to small sherds. It is likely that the difficulty of reusing or repurposing the Dressel 20s meant that it was more economical to discard them.
Monte Testaccio has provided archaeologists with a rare insight into the ancient Roman economy. The amphorae deposited in the mound were often labelled with tituli picti, painted or stamped inscriptions which record information such as the weight of the oil contained in the vessel, the names of the people who weighed and documented the oil and the name of the district where the oil was originally bottled. This has allowed archaeologists to determine that the oil in the vessels was imported under state authority and was designated for the annona urbis (distribution to the people of Rome) or the annona militaris (distribution to the army). Indeed, some of the inscriptions found on mid-2nd century vessels at Monte Testaccio specifically record that the oil they once contained was delivered to the praefectus annonae, the official in charge of the state-run food distribution service. It is possible that Monte Testaccio was also managed by the praefectus annonae.
The tituli picti on the Monte Testaccio amphorae tend to follow a standard pattern and indicate a rigorous system of inspection to control trade and deter fraud. An amphora was first weighed while empty, and its weight was marked on the outside of the vessel. The name of the export merchant was then noted, followed by a line giving the weight of the oil contained in the amphora (subtracting the previously determined weight of the vessel itself). Those responsible for carrying out and monitoring the weighing then signed their names on the amphora and the location of the farm from which the oil originated was also noted. The maker of the amphora was often identified by a stamp on the vessel's handle.
The inscriptions also provide evidence of the structure of the oil export business. Apart from single names, many inscriptions list combinations such as "the two Aurelii Heraclae, father and son", "the Fadii", "Cutius Celsianus and Fabius Galaticus", "the two Junii, Melissus and Melissa", "the partners Hyacinthus, Isidore and Pollio", "L. Marius Phoebus and the Vibii, Viator and Retitutus." This suggests that many of those involved were members of joint enterprises, perhaps small workshops involving business partners, father-son teams and skilled freedmen.
The use of Monte Testaccio as an amphora dump appears to have ceased after about the 260s, perhaps due to the city's harbour facilities being moved elsewhere. A new type of amphora was also introduced around this time to transport olive oil.
The area around the hill was largely abandoned after the fall of Rome. A print of 1625 depicts Monte Testaccio standing in isolation in an area of wasteland within the ancient city walls, and even as late as the mid-19th century the surrounding area was little more than a "romantic desert" on which was situated only "a few shabby houses".It was the scene of jousts and tournaments during the Middle Ages, when Monte Testaccio was the scene of pre-Lenten celebrations. As part of the festivities, two carts filled with pigs were hauled to the top of the hill, then allowed to run back down the steep slope to be smashed to pieces along with their porcine passengers. The watching revellers would then dismember the pigs on the spot and carry the parts off to be roasted and eaten.
Monte Testaccio was still used as a place of recreation when Stendhal visited in 1827. A 19th century traveller, visiting a few years earlier, described the annual festival that was held on the summit of the hill:
"Each Sunday and Thursday during the month of October, almost the whole population of Rome, rich and poor, throng to this spot, where innumerable tables are covered with refreshments, and the wine is drawn cool from the vaults. It is impossible to conceive a more animating scene than the summit of the hill presents. Gay groups dancing the saltarella, intermingled with the jovial circles which surround the tables; the immense crowd of walkers who, leaving their carriages below, stroll about to enjoy the festive scene ..."
The hill gained a brief military significance in 1849 when it was used as the site of an Italian gun battery, under the command of Giuseppe Garibaldi, in the successful defence of Rome against an attacking French army. Its economic significance was somewhat greater, as the hill's interior was discovered to have unusual cooling properties which investigators attributed to the ventilation produced by its porous structure. This made it ideal for wine storage and caves were excavated to keep wine cool in the heat of the Roman summer.
Monte Testaccio also had a religious significance; it was formerly used on Good Friday to represent the hill of Golgotha in Jerusalem, when the Pope would lead a procession to the summit and placed crosses to represent those of Jesus and the two thieves crucified alongside him. Monte Testaccio is still crowned with a cross in commemoration of the event. It was not until after World War II that the area around the hill was redeveloped as a working class neighbourhood.
The first archaeological investigation of Monte Testaccio began in January 1872 under the German archaeologist Heinrich Dressel, who published his results in a pioneering study in 1878. Further important work was carried out in the 1980s by the Spanish archaeologists Emilio Rodríguez Almeida and José Remesal Almeida.
Basilica of Saint Paul Outside the Walls
The Papal Basilica of St Paul Outside the Walls (Italian: Basilica Papale di San Paolo fuori le Mura), commonly known as St Paul's Outside the Walls, is one of Rome's four ancient major basilicas or papal basilicas: the basilicas of St. John Lateran, St. Mary Major, and St. Peter's and Saint Paul Outside the Walls.
The basilica was founded by the Roman Emperor Constantine I over the burial place of Saint Paul, where it was said that, after the Apostle's execution, his followers erected a memorial, called a cella memoriae. This first edifice was expanded under Valentinian I in the 370s.
In 386, Emperor Theodosius I began erecting a much larger and more beautiful basilica with a nave and four aisles with a transept; the work including the mosaics was not completed until Leo I's pontificate (440–461). In the 5th century it was larger than the Old St. Peter's Basilica. The Christian poet Prudentius, who saw it at the time of emperor Honorius (395–423), describes the splendours of the monument in a few expressive lines. As it was dedicated also to Saints Taurinus and Herculanus, martyrs of Ostia in the 5th century, it was called the basilica trium Dominorum ("basilica of Three Lords").
Under Gregory the Great (590–604) the basilica was extensively modified. The pavement was raised to place the altar directly over Paul's tomb. A confession permitted access to the Apostle's sepulcher.
In that period there were two monasteries near the basilica: St. Aristus's for men and St. Stefano's for women. Masses were celebrated by a special body of clerics instituted by Pope Simplicius. Over time the monasteries and the basilica's clergy declined; Pope Saint Gregory II restored the former and entrusted the monks with the basilica's care.
As it lay outside the Aurelian Walls, the basilica was damaged in the 9th century during the Saracen invasions. Consequently, Pope John VIII (872–882) fortified the basilica, the monastery, and the dwellings of the peasantry, forming the town of Joannispolis (Italian: Giovannipoli) which existed until 1348, when an earthquake totally destroyed it.
In 937, when Saint Odo of Cluny came to Rome, Alberic II of Spoleto, Patrician of Rome, entrusted the monastery and basilica to his congregation and Odo placed Balduino of Monte Cassino in charge. Pope Gregory VII was abbot of the monastery and in his time Pantaleone, a rich merchant of Amalfi who lived in Constantinople, presented the bronze doors of the basilica maior, which were executed by Constantinopolitan artists; the doors are inscribed with Pantaleone's prayer that the "doors of life" may be opened to him.Pope Martin V entrusted it to the monks of the Congregation of Monte Cassino. It was then made an abbey nullius. The abbot's jurisdiction extended over the districts of Civitella San Paolo, Leprignano, and Nazzano, all of which formed parishes. But the parish of San Paolo in Rome is under the jurisdiction of the cardinal vicar.
The graceful cloister of the monastery was erected between 1220 and 1241.From 1215 until 1964 it was the seat of the Latin Patriarch of Alexandria.
On 15 July 1823 a fire, started through the negligence of a workman who was repairing the lead of the roof, resulted in the almost total destruction of the basilica which, alone of all the churches of Rome, had preserved its primitive character for 1435 years. It was re-opened in 1840, and reconsecrated 1855 with the presence of Pope Pius IX and fifty cardinals. Completing the works of reconstruction took longer, however, and many countries made their contributions. The Viceroy of Egypt sent pillars of alabaster, the Emperor of Russia the precious malachite and lapis lazuli of the tabernacle. The work on the principal facade, looking toward the Tiber, was completed by the Italian Government, which declared the church a national monument. On 23 April 1891 an explosion at Porta Portese destroyed the stained glasses.
The covered portico that precedes the facade is a Neo-classicist addition of the 19th-century reconstruction. The 20th-century door includes the remains of the leaves from the original portal, executed by Staurachius of Chios around 1070 in Constantinople, with scenes from the New and Old Testament. On the right is the Holy Door, which is opened only during the Jubilees.
The new basilica has maintained the original structure with one nave and four aisles. It is 131.66 metres (432.0 ft) long, 65 metres (213 ft)-wide, and 29.70 metres (97.4 ft)-high, the second largest in Rome.
The nave's 80 columns and its stucco-decorated ceiling are from the 19th century. All that remains of the ancient basilica are the interior portion of the apse with the triumphal arch. The mosaics of the apse, work by Pietro Cavallini, were mostly lost in the 1823 fire; only a few traces were incorporated in the reconstruction. The 5th-century mosaics of the triumphal arch are original: an inscription in the lower section attest they were done at the time of Leo I, paid by Galla Placidia. The subject portrays the Apocalypse of John, with the bust of Christ in the middle flanked by the 24 doctors of the church, surmounted by the flying symbols of the four (website hidden). Peter and St. Paul are portrayed at the right and left of the arch, the latter pointing downwards (probably to his tomb).
The tabernacle of the confession of Arnolfo di Cambio (1285) belong to the 13th century.
In the old basilica each pope had his portrait in a frieze extending above the columns separating the four aisles and naves. A 19th-century version can be seen now. The nave's interior walls were also redecorated with scenes from Saint Paul's life in two mosaics.
The sacristy contains a fine statue of Pope Boniface IX.
South of the transept is the cloister, considered "one of the most beautiful of the Middle Ages". Built by Vassalletto in (phone number hidden), it has double columns of different shapes. Some columns have inlays with golden and coloured-glass mosaics; the same decoration can be seen on the architrave and the inner frame of the cloister. Also visible are fragments from the destroyed basilica and ancient sarcophagi, one with scenes of the myth of Apollo.
According to tradition, Paul's body was buried two miles away from the place of his martyrdom, in the sepulchral area along the Ostiense Way, which was owned by a Christian woman named Lucina. A tropaeum was erected on it and quickly became a place of veneration.
Constantine I erected a basilica on the tropaeum's site, and the basilica was significantly extended by Theodosius I from 386, into what is now known as Saint Paul Outside the Walls. During the 4th century, Paul's remains, excluding the head, were moved into a sarcophagus. (According to church tradition the head rests at the Lateran.) Paul's tomb is below a marble tombstone in the Basilica's crypt, at 1.37 metres (4.5 ft) below the altar. The tombstone bears the Latin inscription PAULO APOSTOLO MART ("to Paul the apostle and martyr"). The inscribed portion of the tombstone has three holes, two square and one circular. The circular hole is connected to the tomb by a pipeline, reflecting the Roman custom of pouring perfumes inside the sarcophagus, or to the practice of providing the bones of the dead with libations. The sarcophagus below the tombstone measures 2.55 metres (8.4 ft) long, 1.25 metres (4.1 ft) wide and 0.97 metres (3.2 ft) high.
The discovery of the sarcophagus is mentioned in the chronicle of the Benedictine monastery attached to the Basilica, in regard to the 19th century rebuilding. Unlike other sarcophagi found at that time, this was not mentioned in the excavation papers.
On 6 December 2006, it was announced that Vatican archaeologists had confirmed the presence of a white marble sarcophagus beneath the altar, perhaps containing the remains of the Apostle. A press conference held on 11 December 2006 gave more details of the work of excavation, which lasted from 2002 to 22 September 2006, and which had been initiated after pilgrims to the basilica expressed disappointment that the Apostle's tomb could not be visited or touched during the Jubilee year of 2000. The sarcophagus was not extracted from its position, so that only one of its two narrow sides is visible.
On 29 June 2009 Pope Benedict XVI announced that carbon 14 dating of bone fragments in the sarcophagus confirmed a date in the 1st or 2nd century. "This seems to confirm the unanimous and uncontested tradition that they are the mortal remains of the Apostle Paul," Benedict announced at a service in the basilica to mark the end of the Vatican's Paoline year in honor of the apostle. With the bone fragments archaeologists discovered some grains of incense, and pieces of purple linen with gold sequins and blue linen textiles.
A curved line of bricks indicating the outline of the apse of the Constantinian basilica was discovered immediately to the west of the sarcophagus, showing that the original basilica had its entrance to the east, like Saint Peter's Basilica in the Vatican. The larger 386 basilica that replaced it had the Via Ostiense (the road to Ostia) to the east and so was extended westward, towards the river Tiber, changing the orientation diametrically.
Garbatella is a historical urban area that belongs to the Municipio XI of the commune of Rome, in the Ostiense district. Its population is nearly 45000.
It was founded in the late 1920s on the hill adjacent to the Basilica of Saint Paul Outside the Walls. The older section of the area is divided into a number of buildings that are grouped together with communal yards, a design that was borrowed from the Garden city movement. This kind of architectural agglomeration in Rococo style, called lotto, with the yard a sort of informal meeting point for all the families that live in the lotto.
REGLAS Y CONDICONES DE ALQUILER
- Check-in: desde 14.00 a 20.00 horas.
- Check-out antes de las 11.00 horas.
- A su llegada tendra que abonar el impuesto turistico de 2 euros por persona por dia
- En cualquier caso no se aceptan check-in despues de la medianoche.
- Se ruega ponerse en contacto antes de la llegada para coordinar el horario de su check-in.
- Despues de las 22:00 horas no se admiten ruidos molestos en el apartamento.
- No se aceptan animales o mascotas y està totalmente prohibido fumar en el apartamento De no ser asì serà retenido el deposito.
Debido al alto costo de la electricidad, al querer usar el aire acondicionado a su llegada tendrà que abonar 3,00 euros por dia.
RENTAL TERMS AND CONDITIONS
- Check-in: normally from 2.00PM to 8.00 PM -when possible, depending on previous groups check out time, early check in will be available!
- Check-out: normally before 11.00AM - when possible, depending on following group check in time, late check out will be available!
- Anyway chech in after midnight are not accepted.
- On arrival 2 euros per person per day are due as touristic tax
- Please contact us some time, one or two days before your arrival day to agree the check-in time.
- After 11:00PM annoying noises will be forbidden to not disturb neighbours.
- Arrival or departure dates modification are not refundable.
- We do not accept any pet and smoking is strictly forbidden inside the apartment: Smoking is allowed in the balcony.
- Once realized the boking, please let us know if you choose our special price private car transfer pick up service from/to Airports or/and Railways Stations
Due to high electricity cost if you choose the air conditioning you will be charged of 3,00 euros per day on your arrival
Maurizio è un ottimo host, flessibile, gentile, disponibile. La casa è molto spaziosa, con due camere da letto enormi e silenziose, cucina, bagno, wifi, ben collegata con la fermata della metro Garbatella e la stazione Ostiense e circondata da parcheggi gratuiti. Consigliato.
Prima plek, goed bereikbaar met het openbaar vervoer. Ook de binnenstad is eenvoudig bereikbaar. Maurizio ontving ons hartelijk en hielp ons onmiddellijk op weg met tips voor bezienswaardigheden en vervoer. Wel vonden we het bed wat hard en was het niet echt superschoon. Maar ons verblijf was verder prima!
Maurizio's place is absolutely wonderful! Very comfortable and near lots of restaurants that are more local than touristy. Also located within walking distance of one of the two metro lines and very close to the Collosium. This is the second time that I have stayed at Maurizio's place. When I came two years ago, I stayed with my 100 year old grandmother. It was very important to have a place that was comfortable and had an elevator. This apartment fit that description perfectly! For a very small fee, you can have air conditioning, which is very unusual to find in Rome and very helpful during the summer months. Maurizio goes out of his way to make sure that you have a good stay. His dad is available to drive you to any place that you might need to go to, or will even pick you up at the airport (for a fee, but well worth the personal service)!
I would highly recommend this lovely apartment!
Sono stato in vacanza con tutta la famiglia (5 componenti) e ci siamo trovati benissimo. Vicino alla metropolitana e ben collegato con le principali strade. Lo suggerisco a tutti e se mai dovessi tornare sarà sicuramente la Mia scelta. Maurizio è stato gentilissimo e disponibile per tutto e tutti.
It was a perfect stay and Maurizio and his father took great care of us!
The apartment was really charming!
Great apartment, very pleasant, clean, convenient, close to transport. And a great reception from Maurizio and his family !
This host has 32 reviews for other properties.View Other Reviews
Gentile, educato, con forte senso dell'onore, amante della storia e della tradizione, triste per come stiamo vivendo questa epoca di dissoluzione e di follia, ma sicuro che un giorno la parte buona del mondo prevarrá su quella cattiva che sta solo dando un inutile fastidio in questo momento!